Here is a piece of a paper I wrote for my Apocalyptic Literature class this past spring. I offer it now as it pertains to and was the initial stimulus of the train of thought explored briefly in my last post. I hope further connect these two posts in another future one.
IntroductionI have suggested before that the two most often mishandled books of the canon are the book of Genesis and the book of Revelation. There is something about these books that causes us to thrust our own agendas upon them. With Genesis, we try to reconcile or combat science with what the book has to say in its first two chapters. And with Revelation we try to piece together ("decode") exactly how the world is going to end. In both instances we miss completely the purpose of each book. Sometimes this leads to confusion or misunderstanding that is of little consequence. But other times dangerous ideas and doctrines are produced.
There is, I believe, another way in which the book of Revelation is mishandled; it is by transposing the stories of the Old Testament onto the story of John. We must allow John to tell his own story independently! Yes, John uses symbols and images from the Prophets, but that does not mean he is telling their story in a different way. Rather, he is telling his own story with the help of their imagery. This is exactly the hazard that people commonly fall into when dealing with Revelation 19:11-16.
ExplanationBefore we examine this passage it is important that we place it in its proper context within the book of Revelation. Revelation 19 is one unit of thought, and to look at one of its particulars without looking at the chapter as a whole breeds misunderstandings. Revelation 19:1-21 can be outlined for our purposes as follows.
A. Heavenly Worship/Wedding Service: 1-8
1. Location 1: Heaven, Great Multitudes (1-3)
2. Location 2: Throne Room, 24 Elders and 4 Living Creatures (4)
3. Location 3: Throne, Voice (5)
4. Location 4: Heaven, Great Multitudes (6-8)
B. Narrative Interlude: 9-10
C. War Assembly: 11-21
1. Location 5: The "Gates" of Heaven, Divine Warrior and Army (11-16)
2. Location 6: Earth, Invasion and Victory (17-21)
John vision moves from one location to another, bombarding the reader with different scenes. Initially, we see a celebration in the heavenly realm over the fall of Babylon (Revelation 18) and the Marriage feast of the Lamb (Revelation 19:6-9). But this picture of celebration and worship quickly fades and the reader is now looking at Divine Warrior on horseback with an army prepared to invade the created realm (Revelation 19:11-16):
"Then I saw heaven opened and there was a white horse! Its rider is called Faithful and True, and in righteousness he judges and makes war. His eyes are like a flame of fire, and on his head are many diadems; and he has a name inscribed that no one knows but himself. He is clothed in a robe dipped in blood and his name is called the Word of God. And the armies of heaven, wearing fine linen, white and pure, were following him on white horses. From his mouth comes a sharp sword with which to strike down the nations, and he will rule them with a rod of iron; he will tread the winepress of the fury of the wrath of God the Almighty. On his robe and on his thigh he has a name inscribed, "King of kings and Lord of lords."
The careful studier will notice that much of Revelation 19:11-16 is an allusion to Isaiah 63:1-6:
"Who is this coming from Edom, from Bozrah, with his garments stained with crimson? Who is this, robed in splendor, striding forward in the greatness of his strength?
'It is I, speaking in righteousness, mighty to save.'
Why are your garments red, like those of one treading the winepress?
'I have trodden the winepress alone; from the nations no one way with me. I trampled them in my anger and trod them down in my wrath; their blood spattered my garments, and I stained all my clothing. It was for me the day of vengeance; the year for me to redeem had come. I looked, but there was no one to help, I was appalled that no one gave support; so my own arm achieved salvation for me, and my own wrath sustained me. I trampled the nations in my anger; in my wrath I made them drunk and poured their blood on the ground.'"
The similarity makes it easy to project Isaiah image of a Divine Warrior slaughtering enemies onto John's narrative. Thus, one interprets the blood on the robe to be pointing forward to the battle that is about to take place. But to do so is a terrible mistake. Mounce will argue that this is indeed the case, pointing out that apocalyptic texts often show the outcome of something before it occurs through such a symbol. There are two major problems with this interpretation: (1) it limits John to a literary category developed long after he writes his Apocalypse, and (2) it altogether ignores the most powerful motif and theme in the book, that of the Lamb-Slain. John is not telling a violent tale, this is evident from the powerful transformation of "the Lion of the tribe of Judah" into the Slain-Lamb (Revelation 5).
What happened in chapter 5 is occurring again. Here the Divine Warrior motif of Isaiah (and others) emerges onto the scene, and the audience prepares for a massacre of the enemies of God. And then a big twist comes. This warrior's robe is dipped in blood even before the battle starts (19:13)! His 'army' is not wearing armor, but the fine white linen of priests (19:14)! His only weapon is his word (19:15)! As David Barr puts it: "This story does not deny the power of good; it redefines it" (137). Some have called this "absurd"; but as Harrington puts it: "It is not absurd for one who can define 'conquering' as 'dying' and 'Lion' as 'Lamb'", to envision a warrior of heaven stained with his own blood (193).
John has given a Christological reinterpretation to the Jewish tradition of a Divine Warrior. He has identified this Warrior with his own motif of a Slain-Lamb. This image of a Divine Warrior with a robe dipped in blood, if understood as his own blood, effectively ties together three major motifs in the book of Revelation (Slain-Lamb, Divine Warrior, and Wine-Press).
ConclusionTo hold that the blood on the rider's robe is his enemies is misguided. We must keep separate John's ideas from his predecessors; the Prophets. John does not intend for his story to be interpreted the same as those of Isaiah's. If we do this we make, in a sense, the same mistake of that the Pharisees of Jesus' time did. They expected a different kind of Messiah; one that would crush their Roman rulers and set up a new Jewish nation. But this was not God's plan. His plan called for the Messiah to suffer, and to die.
It is the same with the John's story. Some expect a mighty Divine Warrior to slaughter the evil rulers of this world. If they continue in this understanding they will be disappointed. For the liberator, the Divine Warrior, the Victor that will come is a Lamb. In this story the power of good over evil is the power of suffering (2:10; 6:9-11), the power of faithful testimony (12:11), and the power of steadfast resistance (2:2; 13:10) (Barr, 137). Yes, there must be a heavenly response to the injustice and oppression of this world; but that response is not more violence, it is suffering and Sacrifice. A God that loves, and so makes himself vulnerable to suffering; that the God I see in this passage and throughout the book of Revelation. And it is this God that John is attempting to synthesize with the more violent God of his predecessors.
We have seen how one's interpretation of this crucial image (the rider with garments dipped in blood) can dictate how one understands the entire position of the book of Revelation. I have suggested that the proper interpretation is that the blood on the rider's garment is his own blood, evidenced by the larger theme of the Slain-Lamb in the book of Revelation. Others have suggested that literary style and the Old Testament context should trump this idea. Depending on which interpretation, his enemy's blood or his own blood, one comes out with a very different view of God. The former is a violent, angry God, and the latter is a God of love. I serve the latter.
Works Cited
Barr, David L. Tales of the End: A Narrative Commentary on the Book of Revelation. Santa Rosa, CA: Polebridge Press, 1998.
Harrington, Wilfrid J. Sacra Pagina: Revelation. Collegeville, MN: The Liturgical Press, 1993.